To carry out a simple search, type the term that you want to find in the Search box next to the Advanced Search tab, and press enter.
For a more refined search of songs or tunes use the Advanced search function. To carry out a search on two or more terms at once, e.g. Collector+Roud Number, select each term as above and then click search.
Be sure to clear previous searches before starting a new one by clicking on the x next to each search term at the top.
Cecil Sharp’s chance encounter with two workmen, whom he heard whistling Morris tunes in Hammersmith, had far-reaching consequences. William Charles Stagg was one of the workmen. He was the eldest son of the Lower Swell fiddler William Hathaway (see below) and had danced morris at Stow-on-the-Wold. Stagg gave Sharp information as to how to find Morris musicians in Gloucestershire and later copied 18 tunes which Sharp collected from his father, and two others, of which this is one, possibly with a view to using them with Mary Neal’s Espérance Club dancers. Stagg gave his tunebook to Helen Kennedy and the manuscript was copied: the original is now lost. Our copy was given to us by Peter Kennedy. Stagg’s no 19, Old Trunk Hoe, is the same as John Mason’s Old Trunko (Sharp no 1249). We have not found an equivalent of Stagg’s no 20 Jockey to the Fair, in which the timing and placing of barlines are erratic
Sharp’s interview with Stagg sent him to Gloucestershire on his next collecting trip, in March 1907. The day after meeting John Mason at Stow-on-the-Wold he visited William Hathaway at 52 Burton Street, Cheltenham and noted many of the tunes used by the Lower Swell Morris Dancers, some of which he published in Folk Airs.
Paul Burgess, ‘The Mystery Of The Whistling Sewermen: How Cecil Sharp Discovered Gloucestershire Morris Dancing’, Folk Music Journal, 8, 2002, 178-94.
Old Trunk Hoe/Trunko John Mason’s version is the same as Stagg’s.